"Keep in mind that the new natural gas drilling law championed by Gov. Earl Ray Tomblin allows drilling in West Virginia within 625 feet of occupied residences, well within the 1/2-mile (2640 feet) distance cited in the study as the area where residents would face greater health risks." - Ken Ward, Jr.
Find the complete Charleston Gazette Sustained Outrage Blog here.
Find here the evolution of a poetic and political project tentatively titled "Dead of the Night, WV."
Sunday, March 25, 2012
Colorado Study: Health and Gas Drilling
Labels:
air pollution,
fracking,
gas drilling,
water pollution
Sunday, January 22, 2012
Iris Dement sings it
Labels:
inspiration,
iris dement,
music,
political poetry
Saturday, January 21, 2012
Nostalgias
The field I walked through to get to the school bus: here, my dad is heading out to play some bluegrass.
Thursday, June 23, 2011
What Polly Did
New music can be a beginning. One that struck deeply when it was released in February 2011 (and pushed my resolution to invest in DN, WV) is PJ Harvey's Let England Shake. Dominated by the auto-harp and Harvey's odd vocal phrasing but rounded out by an amazing arrangement, the music is the perfect setting for the stone: PJ's political (she calls it apolitical) message: England has wasted itself in war, England deserves better; England is taken away from us, England made me; England is at a dead end, long live England.
She taps into a form of tribal awareness (her "I" is always "We") I've heard in poets called to speak for a people (think Yeats, Walcott, Boland, Rich, Brecht).
To prove her sincerity (perhaps too much), she performs the songs from this album in a white dress with a raven crest of hair, auto-harp clutched to her breast. She is Athena, the White Goddesss, Freya. She is England.
Her disparagement of war as a way into the voice of her people is a large part of the inspiration of Dead of the Night, WV. Here is one of the many strong songs from the album:
She taps into a form of tribal awareness (her "I" is always "We") I've heard in poets called to speak for a people (think Yeats, Walcott, Boland, Rich, Brecht).
To prove her sincerity (perhaps too much), she performs the songs from this album in a white dress with a raven crest of hair, auto-harp clutched to her breast. She is Athena, the White Goddesss, Freya. She is England.
Her disparagement of war as a way into the voice of her people is a large part of the inspiration of Dead of the Night, WV. Here is one of the many strong songs from the album:
Labels:
inspiration,
music,
pj harvey,
political poetry,
review
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